Required fields are marked *. This affects who gets to document, and whom. She also embodies the upwardly mobile, privileged sections of the diaspora. Suchitra Vijayan was born and raised in Madras, India. They both have pregnant daughters, a fact that becomes significant as the novel progresses. There is also a lot of deep-seated misogyny, casteism, and anti-Black racism in our communities that need to be addressed. More Buying Choices 1,732.00 (16 Used & New offers) Audible Audiobook 0.00 Free with Audible trial 586.00 ( 9 ) Q: Since publishing the book last year, what reflections have you hadgiven that its relevance is increasingly ascertained by 2022s interpersonal and geopolitical violence? 4 reviews of Suchitra Vijayan Photography "Huge fan of Suchitra Vijayan Photography! What moral and political stands we should take in the face of ongoing oppression. Midnight's Borders by Suchitra Vijayan falls in both categories. Once we eliminated the spectacle, we realized that the Indian public got very little information about the Pulwama attack and its aftermath. I have two tests. J.G.P. These are edited excerpts from the interview: 'Midnight' seems to be a metaphor for multiple things both freeing and frightening. The mortality of someone you love affects how you write. Especially when you can be charged with sedition for a tweet or arrested for the crime of committing comedy while being Muslim. The third thing is: were going back to relitigating everything. ). The public is sold a lie as the attack is framed as a gas leak. How did you arrive at this stylistic juncture where you manage to tell the stories of these people who are radically less privileged than you without appropriating them? Even those among us who will speak of BLM will not openly challenge Hindutva or the RSS. A poll asked if its OK to be white. Heres why the phrase is loaded. We need more such books. Because you are constantly thinking about the ethical universe you are bringing this child into What values do you teach this child? If you want to support the work that goes behind publishing high-quality feminist media content, please consider becoming a FII member. Although Vijayan critiques the state and its complicity in violence and erasure of lives, she refrains from villainizing the men who serve the state. The Author Suchitra Vijayan is an American writer, essayist, activist, and photographer working across oral history, state violence, and visual storytelling. She was part of a music band at PSG. Suchitra Vijayan | The Nation These new worlds are already herethey are maps of survival, maps of resistance. Also read: The History Of The Colonial State And The Unmaking Of The Tawaif. March 20, 2021 09:50:40 IST. In her new book The Pakistan-based militant group Jaish-e-Muhammad soon claimed responsibility. Suchitra Vijayan on Twitter: ""Fighting for justice and human rights in Suchitra Vijayan undertook a 9000 mile journey over seven years to India's borderlands to write Midnight's Borders: A People's History of Modern India. On the C-SPAN Networks: Suchitra Vijayan is a Founder and Executive Director for the Project Polis, The with one video in the C-SPAN Video Library; the first appearance was a . She studied Law, Political Science and International Relations, and was trained as a Barrister-at-Law and called to Bar at the Honourable Society of Inner Temple. SUCHITRA VIJAYAN PHOTOGRAPHY - 42 Photos - Manhatan, NY - Yelp [1] Career [ edit] We thank her for her time, patience, and illuminating insights into her work. I want to flag two essays where I engage with this in an in-depth manner, Disaster Ruins Everything, on my work in Haiti, and what it means to photograph disaster, especially when it is Brown and Black bodies. Lets start with a very simple statement that everyone can agree on: the way were living right now cannot continue. The writing grew around the images and the visual memory of the encounters. Barkha Dutt: India has made its point in Pakistan. Speculation and conjecture were repeated ad infinitum, and several journalists even took to Twitter to encourage the Indian army. I had a very stable home to come back to. Sharing borders with six countries and spanning a geography that extends from Pakistan to Myanmar, India is the worlds largest democracy and second most populous country. The Indian State and the people of this Republic. Vijayan: I would say I am hopeful. Suchitra Vijayan is the executive director of the Polis Project. @suchitrav. You can find them on, The #GBVinMedia Campaign: Media Reportage Of Gender-Based Violence, #IndianWomenInHistory: Remembering The Untold Legacies of Indian Women, How To Write About Abortion: A Rights-Based Approach, The Crowdsourced List Of Social Justice Collectives Across Indian Campuses. I set out not to give voice to the voiceless, my aim was to put an ear to the ground and listen. Sign in. Heartbreaking, and still, something we must all notice and understand. M, Unique and ambitious, Vijayans project gains urgency and significance from our moment of resurgent nationalisms, when borders are being aggressively reasserted, in India and across the globe. G, An intervention like no other when it comes to thinking through not just the history of India but for reflections on borders, migration, the elusory nature of nations. From the epoch of Empire to the nation-state, border making is fundamentally a political project that creates, sustains, and reinforces inequality. The Indian media must learn to portray the conflict and human rights violations in the region in a more nuanced way, and not reduce Kashmir to a catalogue of death, destruction and emergency laws. Part of this process is a need to turn the lens back at the powerful. They continue to. Having been trained in law, Suchitra Vijayan initially worked at the United Nations war tribunals in Yugoslavia. Suchitra Vijayan | The Caravan However, at work, Tiwari is in his element. L.L.B., Law, The University of Leeds, 2004 M.A., International Relation . Instead, we need to ask what fate awaits us. In these circumstances, the lives of people inhabiting the sketchy borderlands has become all the more vulnerable, and fragile. A relatively small group of people runs it. Each of these subscription programs along with tax-deductible donations made to The Rumpus through our fiscal sponsor, Fractured Atlas, helps keep us going and brings us closer to sustainability. Suchitra Vijayan's new book, Midnight's Borders: A People's History of Modern India, takes a deep look at such stories by prioritizing the experiences of the silenced victims as well as lesser-known accounts from victims of state violence. The constant making and remaking of who is a citizen, who is not, is accompanied by a profoundly dehumanising process. We cant continue to see this in neo-liberal terms like stakeholder. I think the usage of this kind of language is ineffectual; its emptied of imagination. In Suchitra Vijayan's new book, borders are as arbitrary as history In 1971, East Pakistan seceded and became Bangladesh. Vasundhara Sirnate Drennan is director of research at the Polis Project. I find that profoundly inspiring. is a barrister-at-law, writer and researcher. Sometimes they are no more, but your storytelling is so invigorating that the reader doesnt forget them. You can find them onYouTube&Linkedin,and can also check out their websitehere. The latter is an act of violence against people whose voice you are appropriating. She is actively involved in circulating urgent and underrepresented news from the world through her online platform. Suchitra Vijayan - KeyWiki At a time when right-wing nationalism is crescendoing in India and across the world, Suchitra Vijayans Midnights Borders raises pertinent questions about the very foundations of Indias nationalism the cartography of South Asian nation-states defined by arbitrary lines drawn hastily by the British colonial administration. We lift up new voices alongside those of more established writers readers already know and love. Rumpus: In such a climate, what do you think is the responsibility of the diasporic Indian writer? These are no longer contradictory; instead, even criticism can be converted to views. Our mostly volunteer-run magazine strives to be a platform for risk-taking voices and writing that might not find a home elsewhere. Always. That, perhaps, is the only way to avoid further destruction in the region. The publishing landscape, including Indian publishing, is deeply flawedit is upper class, upper caste, and deeply alienating for anyone who doesnt come from already established and existing networks of privilege. FII Media Private Limited | All rights reserved, "Imagine how it would be for someone coming from a Dalit/Bahujan, Muslim, Adivasi, working class background, who wants to come into thisit is especially difficult if youre a woman coming from these backgrounds. This article was published more than4 years ago. There are some notable exceptions, but they are an exception. She perfectly captured the happiness and the intimacy of the occasion, the warmth of all the people present, and the splendor of the venue. I now think twice about calling friends, worried if this might put them at risk. Copyright 2023. Rumpus: What do you think is the value of well-crafted literary nonfiction in sustaining conversations about equality and justice? At worst, its navel gazing peppered with white guilt, but always politically vacuous. In Nellie (Assam) too, where over 3,000 Muslims were killed in 1983, people stared at Vijayan in confusion, no one comes here anymore, she was told. Siaan On Being Queer And Being Online, FII Interviews: Journalist Meena Kotwal On Minority Politics, Journalism Today And The Caste Divide. Could you comment on how much our present border security policies have changed in the last few years? None of this helps in telling richer, more textured stories. She digs deep into colonial history to show how years of violence and consequential suffering has shaped these lives across generations. When fencing began, he became trapped in a no-mans land, his marriage to a girl from Bangladesh ended with each being stranded on either side and he never got out of the cycle of debt and struggle, finally losing the ability to dream. Those notes were raw and immediate. We also need a fundamental reframing of language. We know that the purpose of borders has kept changing for nations. [6], She wrote a short story, a graphic illustration of an episode in the life of a black peppercorn called Kuru-Milaku, called "The Runaway Peppercorn".[7]. 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